{"id":105003,"date":"2022-10-22T19:20:01","date_gmt":"2022-10-22T19:20:01","guid":{"rendered":"https:\/\/harchi90.com\/how-superman-and-henry-cavill-returned-the-hollywood-reporter\/"},"modified":"2022-10-22T19:20:01","modified_gmt":"2022-10-22T19:20:01","slug":"how-superman-and-henry-cavill-returned-the-hollywood-reporter","status":"publish","type":"post","link":"https:\/\/harchi90.com\/how-superman-and-henry-cavill-returned-the-hollywood-reporter\/","title":{"rendered":"How Superman and Henry Cavill Returned \u2013 The Hollywood Reporter"},"content":{"rendered":"
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\n\t[This story contains spoilers for Black Adam<\/em>.]<\/strong><\/p>\n

\n\tBlack Man <\/em>received a last-minute jolt thanks to a post-credits scene restoring Henry Cavill to the role of Superman.<\/p>\n

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\tNegotiating Cavill’s return for the first time since 2017’s Justice League<\/em> was hard-fought and came down to the wire, with the Black Man<\/em> team filming Dwayne Johnson’s half of the scene not knowing if the stars would even align for Cavill’s return.<\/p>\n

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\t\u201cIf we can get Henry to be in it, then we’ll figure that out on a future date,\u201d cinematographer Lawrence Sher recalls in the latest episode of The Hollywood Reporter<\/em>‘s Behind the Screen <\/em>podcast.<\/p>\n

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\tThe DP was informed of the Superman idea very late in the game. he recalls Black Man <\/em>director Jaume Collet-Serra describing it this way: \u201cLet’s just quickly take this throne room set that we were working in \u2026 We’re going to create something for Dwayne to walk into \u2026 And we’re going to shoot it in like 10 minutes \u201d<\/p>\n

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\tJohnson’s half of the scene was filmed as the final shot on the final day of additional photography. After filming Johnson’s half, the team put together the second half of the scene with a body double and a version of John Williams’ 1978 Superman<\/em> theme they found on Google. In this version of the scene, they never showed the actor’s face, only the Superman emblem on his chest. But it was clear the idea was solid.<\/p>\n

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\t\u201cWatching an actor come out of a full silhouette into that, was actually goosebumps. ‘Wow, this is 100 percent going to work. Now they need to figure out if they can get the guy with the head to be there,’\u201d Sher recalls.<\/p>\n

\n\tBlack Man <\/em>began testing the movie with that scene thrown in, and the reaction renewed the urgency to secure Cavill.<\/p>\n

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\t\u201cI went to a test screening \u2026 in which they did the version without his head \u2026 and it played gangbusters,\u201d says Sher. \u201cThen it was like, ‘Now we got to get Henry.’\u201d<\/p>\n

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\tace The Hollywood Reporter<\/em> detailed in a piece published Monday, Johnson lobbied hard for Cavill’s return. (Johnson shares a manager with Cavill, who also pushed hard.) Then-DC Films boss Walter Hamada rejected the idea, as he had his own plans for Superman. Johnson went around Hamada’s back to new Warner Bros. movie bosses Michael De Luca and Pamela Abdy, who approved the idea.<\/p>\n

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\tOnce the deal was done, Cavill’s half of the scene was filmed last month in London, where the actor was located at the time. Sher did his work remotely, as he was not able to travel to the UK, but even being on the other side of the world, Sher felt Cavill’s gravitas.<\/p>\n

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\t\u201cThere are certain people that are iconic as the characters that they play, and he’s really one of them,\u201d says Sher.<\/p>\n

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\tThe DP is now gearing up for another high-profile project, his return to the world of Todd Phillips’ Joker<\/em> with Joker: Folie \u00e0 Deux<\/em>.<\/p>\n

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\tSher reveals that the film will largely be shot in sound stages in Los Angeles, as well as on location in New York, where the project is set. Filming begins in five or six weeks time, with Lady Gaga joining Oscar winner Joaquin Phoenix.<\/p>\n

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\t\u201cShe’s going to be a really cool fit for this movie and will create a similar kind of magic that Joaquin brought by himself,\u201d says Sher. \u201cThe combination of the two will be exactly what we hope, which is exciting, and we’ll find magic every day on set. Hopefully we’ll also have a bit of madness in there. We like when there is a little bit of chaos.\u201d<\/p>\n

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\tListen to the full episode of the Behind the Screen <\/em>podcast below.<\/p>\n