{"id":155056,"date":"2022-12-12T00:47:16","date_gmt":"2022-12-12T00:47:16","guid":{"rendered":"https:\/\/harchi90.com\/los-angeles-film-critics-name-everything-everywhere-and-tar-as-best-picture-deadline\/"},"modified":"2022-12-12T00:47:16","modified_gmt":"2022-12-12T00:47:16","slug":"los-angeles-film-critics-name-everything-everywhere-and-tar-as-best-picture-deadline","status":"publish","type":"post","link":"https:\/\/harchi90.com\/los-angeles-film-critics-name-everything-everywhere-and-tar-as-best-picture-deadline\/","title":{"rendered":"Los Angeles Film Critics Name ‘Everything Everywhere’ And ‘Tar’ As Best Picture \u2013 Deadline"},"content":{"rendered":"
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\tThe Los Angeles Film Critics Association Awards split the difference on its Best Picture award, naming \u201cEverything Everywhere All At Once\u201d and \u201cTar\u201d in a tie. <\/p>\n
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\tAlthough surprising, the tie was not shocking. The LAFCA has done it four other times: 1975, its inaugural year, with \u201cDog Day Afternoon\u201d and \u201cOne Flew Over Cuckoo’s Nest\u201d; 1976, with \u201cNetwork\u201d and \u201cRocky\u201d; and 2013, with \u201cHer\u201d and \u201cGravity.\u201d<\/p>\n
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\tThe organization has arguably a better record of syncing up with Oscar’s ultimate Best Picture winner than some New York awards orgs, ie some recent examples of their Best Picture Winners lining up with AMPAS include 2019’s parasite, <\/em>2016’s moonlight, <\/em>2015’s spotlight, <\/em>2009’s The Hurt Locker<\/em>. <\/p>\n