{"id":161401,"date":"2022-12-18T15:05:02","date_gmt":"2022-12-18T15:05:02","guid":{"rendered":"https:\/\/harchi90.com\/guillermo-del-toro-explains-why-pinocchio-is-now-one-of-his-monsters\/"},"modified":"2022-12-18T15:05:02","modified_gmt":"2022-12-18T15:05:02","slug":"guillermo-del-toro-explains-why-pinocchio-is-now-one-of-his-monsters","status":"publish","type":"post","link":"https:\/\/harchi90.com\/guillermo-del-toro-explains-why-pinocchio-is-now-one-of-his-monsters\/","title":{"rendered":"Guillermo del Toro explains why Pinocchio is now one of his monsters"},"content":{"rendered":"
\n

Guillermo del Toro always knew he wanted to make pinocchio<\/em> as a stop-motion animated movie. The medium suited the story of a puppet brought to life, and it would fulfill his dream of making an animated feature, thwarted 30 years ago by a break-in and a vandal who literally shat on his dreams. His version of pinocchio <\/em>would allow him to explore what he saw as the \u201csacred\u201d bond between puppet and animator through the arcane practical techniques of stop-motion.<\/p>\n

But he also knew he wanted to make profound changes to the source material, Carlo Collodi’s 19th-century children’s book about a naughty puppet who learns obedience and selflessness. In fact, he wanted to subvert it, and stop-motion would help him do that. Del Toro found a poetic irony in telling Pinocchio’s tale this way, he recently told Polygon.<\/p>\n

\u201cVery poignantly, it becomes a movie about a puppet in a world of people that don’t know they’re puppets,\u201d he says. \u201cBut they are <\/em>puppets Everybody is a puppet in there. And the one that behaves less like a puppet is the one everybody thinks is a puppet! I thought there was something delicious in that.\u201d<\/p>\n

That irony is at the heart of del Toro’s distinctive Netflix take on the tale, which redefines both the setting and the morality of Collodi’s pinocchio<\/em>. He relocates the action to Mussolini’s Italy, and re-creates Pinocchio himself as an anarchic force who liberates the humans he meets, rather than learning to conform with them. It has much in common with del Toro’s Spanish-set horror movies The Devil’s Backbone <\/em>and Pan’s Labyrinth<\/em>both of which present a child’s-eye view of midcentury fascism.<\/p>\n

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Image: Netflix<\/cite><\/p>\n

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\u201cThe three of them are about innocence and war, and dictatorships, fading or active, and how it trickles down into everyday life, or family, or a town, or a little church, or a little life,\u201d del Toro says. \u201cI think one of the themes that links Pan’s Labyrinth<\/em> to pinocchio<\/em> directly is disobedience as a virtue \u2014 which is a real countermovement to the traditional story of Pinocchio, which is, ‘If you obey, you’ll become a real kid.’ In this, it’s ‘If you disobey, you will always have been real to yourself,’ you know?\u201d<\/p>\n

Asked why he keeps coming back to this era and this setting, del Toro reaches for a feeling he experienced in childhood: a fear and mistrust of the world that was no less deep for being inexplicable in the context of his comfortable life. \u201cIt was not normal<\/em>, the amount of fear that I had as a kid, when I was in a time of peace, in a middle-class family. But I did feel it,\u201d he says emphatically.<\/p>\n

\u201cOn the one hand, you’re handed the world of childhood, which is permeated by fairies and wishes and magical worlds. And on the other hand, you are interacting with a world of brutality and inhumanity, and you see <\/em>it. I mean, it’s impossible for a kid not to see it. And everybody’s telling you things that you see them constantly not believing, or breaking the rules that they tell you you should obey. This paradox is essential in how disorienting and scary childhood was for me.\u201d<\/p>\n

\n <\/p>\n

<\/p>\n\"Pinocchio,<\/p>\n

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Image: Netflix<\/cite><\/p>\n

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Del Toro’s take on pinocchio<\/em> is just as concerned with what it means to be a parent as a child. It spends \u201ca disproportionate amount of time\u201d with Geppetto, Pinocchio’s creator, who in this version makes the puppet in a drunken bout of grief and rage over the death of his son, Carlo. The scene of Pinocchio’s creation is shot in a sinister, frightening way, like a Frankenstein movie. Del Toro is known for his fascination with monsters: Is his Pinocchio a monster, too?<\/p>\n

\u201cYes, in a way he is. Certainly in this movie,\u201d del Toro says. \u201cI mean, a monster for me is the anomaly that tests the world. […] This man has asked, almost like in a horror tale: ‘I want my child back.’ And the child comes back in a way that he doesn’t recognize, and has a slight unholy, almost elemental energy due to the resurrection. And I think it is very important that Geppetto prays for a miracle, and when the miracle occurs, he’s unhappy. You know, because he does<\/em> get what he wants.<\/p>\n

\u201cGeppetto, who’s obsessed with perfection […] learns that imperfection, and things as they are, is the only wisdom you can have in this world; not to seek perfection, but to seek imperfection<\/em> as a virtue.\u201d<\/p>\n

Guillermo del Toro’s Pinocchio<\/em><\/small> is streaming on Netflix now.<\/small><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Guillermo del Toro always knew he wanted to make pinocchio as a stop-motion animated movie. The medium suited the story of a puppet brought to life, and it would fulfill his dream of making an animated feature, thwarted 30 years ago by a break-in and a vandal who literally shat on his dreams. His version …<\/p>\n

Guillermo del Toro explains why Pinocchio is now one of his monsters<\/span> Read More »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[5],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"\nGuillermo del Toro explains why Pinocchio is now one of his monsters - harchi90<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/news.google.com\/__i\/rss\/rd\/articles\/CBMiWGh0dHBzOi8vd3d3LnBvbHlnb24uY29tLzIzNTExMTA3L2d1aWxsZXJtby1kZWwtdG9yby1waW5vY2NoaW8taW50ZXJ2aWV3LW5ldGZsaXgtbW9uc3RlcnPSAWVodHRwczovL3d3dy5wb2x5Z29uLmNvbS9wbGF0Zm9ybS9hbXAvMjM1MTExMDcvZ3VpbGxlcm1vLWRlbC10b3JvLXBpbm9jY2hpby1pbnRlcnZpZXctbmV0ZmxpeC1tb25zdGVycw?oc=5\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Guillermo del Toro explains why Pinocchio is now one of his monsters - harchi90\" \/>\n<meta property=\"og:description\" content=\"Guillermo del Toro always knew he wanted to make pinocchio as a stop-motion animated movie. 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Teased right from the outset as a \"darker\" take on the well-known story, the \"Crimson Peak\" and \"Nightmare\u2026","rel":"","context":"In "Entertainment"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":154121,"url":"https:\/\/harchi90.com\/guillermo-del-toro-was-an-animator-until-a-pooping-burglar-derailed-him\/","url_meta":{"origin":161401,"position":1},"title":"Guillermo del Toro was an animator \u2014 until a pooping burglar derailed him","date":"December 10, 2022","format":false,"excerpt":"Guillermo del Toro, the Mexican director of Pan's Labyrinth, The Shape of Waterand Pacific Rim, has always been an animator. thigh Guillermo del Toro's Pinocchio, out now on Netflix, is his first animated feature film, arriving 30 years into his career. Things could have been very different. Back before he\u2026","rel":"","context":"In "Entertainment"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":152679,"url":"https:\/\/harchi90.com\/guillermo-del-toros-pinocchio-review-a-twisted-animated-epic\/","url_meta":{"origin":161401,"position":2},"title":"‘Guillermo del Toro’s Pinocchio’ review: a twisted animated epic","date":"December 9, 2022","format":false,"excerpt":"During \u201cGuillermo del Toro's Pinocchio\u201d on Netflix, Disney's 1940 version of the old tale doesn't pop into mind much. The House of Mouse movie I kept thinking of was \u201cBambi.\u201d The \u201cShape of Water\u201d director, in his brilliant stop-motion animated movie co-directed by Mark Gustafson, harkens back to the good\u2026","rel":"","context":"In "Entertainment"","img":{"alt_text":"Grieving Gepetto (voiced by David Bradley) carves Pinocchio (Gregory Mann) out of a pine tree. ","src":"https:\/\/i0.wp.com\/nypost.com\/wp-content\/uploads\/sites\/2\/2022\/12\/Film_Review_-_Guillermo_del_Toros_Pinocchio_13049jpg-29d78.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":77441,"url":"https:\/\/harchi90.com\/the-behind-the-scenes-stuff-on-guillermo-del-toros-pinocchio-looks-very-cool\/","url_meta":{"origin":161401,"position":3},"title":"The behind-the-scenes stuff on Guillermo Del Toro’s Pinocchio looks very cool","date":"September 25, 2022","format":false,"excerpt":"photo: Jason Schmidt\/NETFLIXLook: We can't tell you why 2022 has become The Year Of Pinocchio, as both Disney and Netflix have offered up big-budget, lavish recreations of Carlo Collodi's classic novel about a puppet with aspirations to be made of meat. we Bell tell you, though, that Netflix's offering\u2014co-directed by\u2026","rel":"","context":"In "Entertainment"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":98150,"url":"https:\/\/harchi90.com\/guillermo-del-toro-brought-very-cute-pinocchio-to-his-big-movie-premiere\/","url_meta":{"origin":161401,"position":4},"title":"Guillermo Del Toro brought very cute Pinocchio to his big movie premiere","date":"October 15, 2022","format":false,"excerpt":"Guillermo Del Toro and Pinocchiophoto: ISABEL INFANTES\/AFP via Getty ImagesIt's a grim old world out there lately: Disappearing crabs, nuclear armageddon trending on Twitterspellcheck getting lippy with us about whether we capitalize armageddon\u2026It's rough times all around.So please take, as a minor antidote to the \u201cUgh\u2026\u201d of it all, these\u2026","rel":"","context":"In "Entertainment"","img":{"alt_text":"Top Deals at Best Buy","src":"https:\/\/i0.wp.com\/i.kinja-img.com\/gawker-media\/image\/upload\/c_fill,fl_progressive,g_center,h_180,q_80,w_320\/4b161d89578145c3f2271f1e67fe0219.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":156710,"url":"https:\/\/harchi90.com\/guillermo-del-toro-adamant-animation-isnt-just-for-kids\/","url_meta":{"origin":161401,"position":5},"title":"Guillermo del Toro adamant animation isn’t just for kids","date":"December 13, 2022","format":false,"excerpt":"It's expected that when famed filmmaker Guillermo del Toro takes on pinocchio it will be a darker interpretation of the story.But his stop-motion film (now streaming on Netflix) pushes the imaginative, creative and honest storytelling that can be told from an adventure largely associated with the 1940 Disney animated children's\u2026","rel":"","context":"In "Entertainment"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"fifu_image_url":"https:\/\/cdn.vox-cdn.com\/thumbor\/5WpIcCrDwagSZihd8PT02QzOQBw=\/0x0:3996x2092\/fit-in\/1200x630\/cdn.vox-cdn.com\/uploads\/chorus_asset\/file\/24293859\/1800_0030_Q_FP_RD.jpg","_links":{"self":[{"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/posts\/161401"}],"collection":[{"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/comments?post=161401"}],"version-history":[{"count":0,"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/posts\/161401\/revisions"}],"wp:attachment":[{"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/media?parent=161401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/categories?post=161401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/harchi90.com\/wp-json\/wp\/v2\/tags?post=161401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}