{"id":183119,"date":"2023-01-11T01:04:01","date_gmt":"2023-01-11T01:04:01","guid":{"rendered":"https:\/\/harchi90.com\/gwen-stefani-denies-harajuku-cultural-appropriation-draws-backlash\/"},"modified":"2023-01-11T01:04:01","modified_gmt":"2023-01-11T01:04:01","slug":"gwen-stefani-denies-harajuku-cultural-appropriation-draws-backlash","status":"publish","type":"post","link":"https:\/\/harchi90.com\/gwen-stefani-denies-harajuku-cultural-appropriation-draws-backlash\/","title":{"rendered":"Gwen Stefani denies Harajuku cultural appropriation, draws backlash"},"content":{"rendered":"
Gwen Stefani is once again addressing longstanding charges of cultural appropriation, doubling down on her controversial<\/span> Harajuku era.<\/p>\n The “Hollaback Girl” singer, 53, has faced decades of cultural appropriation accusations, from wearing a bindi (a South Asian religious symbol) in the 1990s to her 2005 “Luxurious” music video, in which she imitated Hispanic culture and seductively danced in an Our Lady of Guadalupe shirt. In 2012, Stefani donned Native American attire in No Doubt’s “Looking Hot” music video, which depicted a Cowboys vs. Indians fight with teepees and feathered headdresses. <\/p>\n But the most serious charge of cultural appropriation came from the Japanese-inspired imagery Stefani used heavily on her 2004 album “Love. Angel. Music. Baby.,” which birthed her No. 1 single “Hollaback Girl” along with her Harajuku Girls entourage and brands such as Harajuku Lovers fragrance.<\/p>\n Stefani, who has previously disagreed with criticisms of her Harajuku era, doubled down when asked about the backlash in a new interview published Tuesday. This time, she cited her father’s job at Yamaha as her inspiration when speaking to Allure’s Jesa Marie Calaor, who is Asian American. <\/p>\n