{"id":184826,"date":"2023-01-12T18:30:02","date_gmt":"2023-01-12T18:30:02","guid":{"rendered":"https:\/\/harchi90.com\/greatest-songs-rolling-stone\/"},"modified":"2023-01-12T18:30:02","modified_gmt":"2023-01-12T18:30:02","slug":"greatest-songs-rolling-stone","status":"publish","type":"post","link":"https:\/\/harchi90.com\/greatest-songs-rolling-stone\/","title":{"rendered":"Greatest Songs \u2013 Rolling Stone"},"content":{"rendered":"<div>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n\t<span class=\"lrv-u-text-transform-uppercase u-letter-spacing-012\">He never had<\/span>  a signature song the way his peers and sometime bandmates Jimmy Page and Eric Clapton did, but the genres that Jeff Beck explored throughout his career chart the changes in rock \u2014 and rock guitar \u2014 over decades.  One of rock&#8217;s most physical technicians, seeming to enjoy wrestling with his instrument, Beck made his name with British Invasion pop.  But not content to stay there, he moved into the in-vogue blues-rock of the late Sixties and then the harder boogie and fusion of the next decade.  The settings changed, but his style stayed constant: notes that could cut like a switchblade, but also revel in the melody of a song.  Here are his greatest songs. <\/p>\n<p><strong>&#8220;Heart Full of Soul&#8221; (1965) <\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"The Yardbirds - Heart Full Of Soul\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/pM1qZBFiOLU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tThe two great fuzz-guitar riffs of 1965 were recorded just a few weeks apart, and Jeff Beck got there first, laying down his decade-defining, sitar-aping line on this hit before Keith Richards stomped on his own pedal for \u201c(I Can&#8217;t Get No) Satisfaction.\u201d  For the solo, Beck simply reprized the verse melody \u2014 a move that worked as well for him as it would for Kurt Cobain 26 years later. <em>\u2014 BH<\/em><\/p>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n\t<strong>Yardbirds, &#8220;Jeff&#8217;s Boogie&#8221; (1966)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Jeff&#039;s Boogie (The Stereo Album)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/T3js5Zn4uDM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\t\u201cYou had to know &#8216;Jeff&#8217;s Boogie,&#8217;\u201d Stevie Ray Vaughan once said.  \u201cAnd nobody knew it was really the Chuck Berry song &#8216;Guitar Boogie.&#8217;\u201d Beck no doubt owed Berry at least a co-writing credit for this track, but on the other hand, he does rev up his version almost beyond recognition, packing it full of ahead-of-their-time blinding runs and pinging harmonics. <em>\u2014 BH<\/em><\/p>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n\t<strong>The Yardbirds, \u201cStroll On\u201d (From <em>Blow Up<\/em>1966)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"&quot;Stroll On&quot;: Yardbirds (Scene from &quot;Blow Up&quot;,1966)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CF7KiQGq2P4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tThere are a ton of unforgettable moments in Michelangelo Antonioni&#8217;s 1966 movie <em>Blow Up<\/em>, one being the scene where David Hemmings&#8217; character catches the Yardbirds in a club while trying to solve his photographed murder.  Keith Relf tears through the vocals while a young Jimmy Page plays along, but Beck gets frustrated by his amp and destroys his guitar.  \u201cWhen Antonioni said that he wanted me to break my guitar I had a fit,\u201d he told us in 1971. \u201cI said, &#8216;Wait a minute, that&#8217;s Townshend&#8217;s thing.&#8217;\u201d He also recalled seeing the movie for the first time: \u201cI was thoroughly embarrassed.  I had a fucking hard-on in the picture, man!  It gets hot under them lights, after all, rupturing myself with those tight trousers.\u201d <em>\u2014 AM<\/em><\/p>\n<p>\u201c<strong>Beck&#8217;s Bolero\u201d (1967)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Beck&#039;s Bolero (Instrumental)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/LLkLcnu_e_g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tThis deceptively brief mad-genius proto-prog instrumental is the work of an epochal supergroup, with the Who&#8217;s Keith Moon on drums, future Led Zeppelin member John Paul Jones on bass, frequent Rolling Stones collaborator Nicky Hopkins on piano, and Beck trading off guitars with Page, his Yardbirds bandmate and future Zeppelin mastermind.  It starts with Page strumming an acoustic while Beck carries the melody on electric, before ascending into chiming psychedelia and an all-time-classic hard-rock explosion. <em>\u2014 BH<\/em><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules a-span1 lrv-u-padding-b-1 u-padding-b-175@desktop-xl lrv-u-padding-t-025 u-overflow-hidden u-border-color-brand-primary u-border-tb-5 lrv-u-padding-b-075@mobile-max\">\n<h2 id=\"section-heading\" class=\"c-heading larva  recirculation-modules-heading lrv-u-flex u-font-family-theme-primary lrv-u-font-size-20 lrv-u-color-brand-primary lrv-u-text-transform-uppercase u-letter-spacing-012 lrv-u-position-relative lrv-u-padding-b-025 lrv-u-padding-b-1@desktop-xl lrv-u-padding-b-075@mobile-max\">\n<p>\t\tEditor&#8217;s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n\t<strong>Jeff Beck Group, \u201cI Ain&#8217;t Superstitious\u201d (1968)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"I Ain&#039;t Superstitious , Jeff Beck , 1968 Vinyl\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/JqpclYuZabs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tWhen Led Zeppelin first debuted, some rock fans (including rock critic John Mendelsohn, who famously trashed them in <em>Rolling Stone<\/em>), saw them as an inferior ripoff of the Jeff Beck Group.  Tracks like this powerhouse take on Willie Dixon&#8217;s blues classic, first recorded by Howlin&#8217; Wolf, help explain why, with Beck squawking triumphantly on a stereo pair of wah-wah guitar tracks throughout. <em>\u2014 BH<\/em><\/p>\n<p><strong>Jeff Beck Group, &#8220;You Shook Me&#8221; (1968)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Jeff Beck -Truth(1968) - 04  You Shook Me\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/M7VNqSozhfw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tA year before Zeppelin got their hands on it, the Jeff Beck Group cut a fuzzed-out take on Willie Dixon&#8217;s 1962 blues classic \u201cYou Shook Me\u201d that included future Zeppelin bassist John Paul Jones on organ.  \u201cI was terrified because I thought they&#8217;d be the same,\u201d Jimmy Page said.  \u201cBut I had n&#8217;t even known he&#8217;d done it, and he had n&#8217;t known that he we had.\u201d  We&#8217;ll take Page at his word that his bassist did n&#8217;t mention this to him, and it must be said that the Jeff Beck take is clearly the superior one.  <em>\u2014 AG<\/em><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules a-span1 lrv-u-padding-b-1 u-padding-b-175@desktop-xl lrv-u-padding-t-025 u-overflow-hidden u-border-color-brand-primary u-border-tb-5 lrv-u-padding-b-075@mobile-max\">\n<h2 id=\"section-heading\" class=\"c-heading larva  recirculation-modules-heading lrv-u-flex u-font-family-theme-primary lrv-u-font-size-20 lrv-u-color-brand-primary lrv-u-text-transform-uppercase u-letter-spacing-012 lrv-u-position-relative lrv-u-padding-b-025 lrv-u-padding-b-1@desktop-xl lrv-u-padding-b-075@mobile-max\">\n<p>\t\tRelated<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n\t<strong>Beck, Bogert, Appice, &#8220;Superstition&#8221; (1973)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Beck, Bogart &amp; Appice - Superstition -1973\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/wwIJk0C0xY0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tThe result of a jam session with Beck and Stevie Wonder, \u201cSuperstition\u201d was recorded before Wonder&#8217;s own version on <em>Talking Book<\/em>, and it became the signature song for Beck&#8217;s short-lived trio with the Vanilla Fudge rhythm section of Carmine Appice and Tim Bogert.  It&#8217;s still a kick to hear Wonder&#8217;s monster clavinet part played instead by Beck&#8217;s guitar. <em>\u2014 DB<\/em><\/p>\n<p><strong>\u201cCause We&#8217;ve Ended as Lovers\u201d (1975)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Cause We&#039;ve Ended as Lovers\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/xiOPvOBd8IA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tBeck&#8217;s skills as a technician often overshadowed how emotional his playing could be, and there&#8217;s no better example in his catalog than his instrumental version of this Stevie Wonder ballad, from 1975&#8217;s <em>Blow by Blow<\/em>.  His guitar jabs cajole, and ultimately cry. <em>\u2014 DB<\/em> <\/p>\n<p><strong>&#8220;Blue Wind&#8221; (1976)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Blue Wind\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/MDTcmavN5Rc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tFor a period in the mid-Seventies, Beck reinvented himself as a fusion gearhead, working with producer George Martin and, at times, keyboardist Jan Hammer.  Written by Hammer and included on 1976&#8217;s <em>wired<\/em>the insanely rubbery and tumultuous \u201cBlue Wind\u201d demonstrated that Beck could fly up and down the fretboard as much as any of the leading fusion players of the time, but with added fury and sting.  <em>\u2014 DB<\/em><\/p>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n\t<strong>Jeff Beck and Rod Stewart, \u201cPeople Get Ready\u201d (1985)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Jeff Beck, Rod Stewart - People Get Ready\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/yC_j_dzkaVE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tJeff Beck and Rod Stewart took two very different paths when the original Jeff Beck Group dissolved in 1969, but they came back together 16 years later to cover Curtis Mayfield&#8217;s \u201cPeople Get Ready\u201d on Beck&#8217;s LP <em>flash<\/em>.  Stewart told <em>Rolling Stone<\/em> in 2018 that his voice and Beck&#8217;s guitar were a \u201cmatch made in heaven,\u201d and that&#8217;s very apparent on this cover, which wound up their final studio collaboration.<em> \u2014 AG<\/em><\/p>\n<section class=\"brands-most-popular \/\/ trending-in-article a-span1 lrv-u-padding-b-1 u-padding-b-175@desktop-xl lrv-u-padding-t-025 u-overflow-hidden u-border-color-brand-primary u-border-tb-5 lrv-u-padding-b-1@mobile-max\">\n<h2 id=\"section-heading\" class=\"c-heading larva  trending-in-article-heading lrv-u-flex u-font-family-theme-primary lrv-u-font-size-20 lrv-u-color-brand-primary lrv-u-text-transform-uppercase u-letter-spacing-012 lrv-u-position-relative lrv-u-padding-b-1 lrv-u-padding-b-075@mobile-max\">\n<p>\t\ttrending<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n\t<strong>&#8220;A Day in the Life&#8221; (1998)<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><div class=\"ast-oembed-container\" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Jeff Beck - A Day In The Life\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/rhHNzNO17UM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/   lrv-a-font-body-l   \">\n<p>\tThe Beatles&#8217; \u201cA Day in the Life\u201d is the kind of masterpiece that&#8217;s hard to cover in any meaningful way.  One exception came on the obscure 1998 George Martin LP <em>In My Life,<\/em> where Jeff Beck tackled the song without a vocalist, recreating the vocal melody on his guitar.  It&#8217;s a stunning example of his virtuosity, and it was the climax of his concerts for the last quarter-century of his career. <em>\u2014 AG<\/em><\/p>\n<\/div>\n<p><script type=\"text\/plain\" class=\"optanon-category-C0004\">\n\t! function(f, b, e, v, n, t, s) {\n\t\tif (f.fbq) return;\n\t\tn = f.fbq = function() {\n\t\t\tn.callMethod ?\n\t\t\t\tn.callMethod.apply(n, arguments) : n.queue.push(arguments)\n\t\t};\n\t\tif (!f._fbq) f._fbq = n;\n\t\tn.push = n;\n\t\tn.loaded = !0;\n\t\tn.version = '2.0';\n\t\tn.queue = [];\n\t\tt = b.createElement(e);\n\t\tt.async = !0;\n\t\tt.src = v;\n\t\ts = b.getElementsByTagName(e)[0];\n\t\ts.parentNode.insertBefore(t, s)\n\t}(window, document, 'script',\n\t\t'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n\tfbq('init', '204436500352178');\n\tfbq('track', 'PageView');\n<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>He never had a signature song the way his peers and sometime bandmates Jimmy Page and Eric Clapton did, but the genres that Jeff Beck explored throughout his career chart the changes in rock \u2014 and rock guitar \u2014 over decades. One of rock&#8217;s most physical technicians, seeming to enjoy wrestling with his instrument, Beck &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/harchi90.com\/greatest-songs-rolling-stone\/\"> <span class=\"screen-reader-text\">Greatest Songs \u2013 Rolling Stone<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[5],"tags":[],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.10 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Greatest Songs \u2013 Rolling Stone - harchi90<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/news.google.com\/__i\/rss\/rd\/articles\/CBMiYGh0dHBzOi8vd3d3LnJvbGxpbmdzdG9uZS5jb20vbXVzaWMvbXVzaWMtZmVhdHVyZXMvamVmZi1iZWNrLWdyZWF0ZXN0LXNvbmdzLXlhcmRiaXJkcy0xMjM0NjU5NTYzL9IBZGh0dHBzOi8vd3d3LnJvbGxpbmdzdG9uZS5jb20vbXVzaWMvbXVzaWMtZmVhdHVyZXMvamVmZi1iZWNrLWdyZWF0ZXN0LXNvbmdzLXlhcmRiaXJkcy0xMjM0NjU5NTYzL2FtcC8?oc=5\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Greatest Songs \u2013 Rolling Stone - harchi90\" \/>\n<meta property=\"og:description\" content=\"He never had a signature song the way his peers and sometime bandmates Jimmy Page and Eric Clapton did, but the genres that Jeff Beck explored throughout his career chart the changes in rock \u2014 and rock guitar \u2014 over decades. 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