\n \n<\/aside>\nKeke Palmer has a history with Vanity Fair videos, most notably when she released one of the world’s greatest memes upon them during her lie detector test. Then she came back, and they tested her again. This time around in the VF studio, Palmer is faced with fan theories that leave her beguiled and bewildered. Why would they think this movie is just a rehashing of Peele’s previous films? Why would they think Mulder and Scully from The X-Files<\/em> would show up in an entirely different movie franchise? The real mystery is why <\/strong>one commenter is <\/strong>calling her a lady when she is but a young 28.<\/p>\n\n \n<\/aside>\nKeke Palmer’s been sitting on an impression of Angela Bassett for a while now. She made Queen Latifah double over with laughter with it in 2013, then she showed it off to Jimmy Fallon on The Tonight Show<\/em> earlier this year. But the remarkable thing about the impression is that it just keeps getting better. It starts with What’s Love Got to Do With It?<\/em> Angela and now includes The Jacksons: The American Dream <\/em>Angela. Every secret? It’s all in the lips.<\/p>\n\n \n<\/aside>\nFront The Tonight Show<\/em> with Jimmy Fallon, Fallon brings up his collaboration with Palmer on the upcoming Password<\/em> reboot. Password <\/em>lives and dies by its celebrity guest contestants, so to sell the show, Fallon and Palmer start name-dropping. The first celeb on Palmer’s lips? Ms. Meghan Trainor, the \u201cAll About That Bass\u201d singer and forgotten Best New Artist winner. This is great news, because without Palmer’s hard work, no one would know the \u201cDear Future Husband\u201d singer appears on Password<\/em>, <\/em>given that Trainor doesn’t even make the celebrity bragging section of the show’s trailer in favor of other celebrities like John Hamm and Martin Short. We’re just going to assume Palmer’s a huge \u201cJuni from Spy Kids<\/em>“fan.<\/p>\nIn a recent dual GQ<\/em> profile of both Peele and Palmer, Peele talks about how the pandemic inspired nope<\/em>. \u201cI wrote [the film] trapped inside and so I knew I wanted to make something that was about the sky,\u201d says Peele. \u201cI knew the world would want to be outside and at the same time, I knew we had this newfound fear from this trauma, from this time of what it meant to go outside. Bell<\/em> we go outside So I slipped some of that stuff in.\u201d Makes sense to us, and to film critic Palmer. \u201cThat’s so sneaky how you do that,\u201d she says, and she’s right. The way Peele sneaks commentary on society into his popcorn movies is like a parent mixing vegetables into a kid’s smoothie. The real horror lies within.<\/p>\n\n \n<\/aside>\nDuring a video in which Glamor asks Palmer questions via flashcard, the \u201cpersonality\u201d category includes a query about whether or not Palmer would kill a fly. \u201cIf you’re going by the phrase ‘Would you hurt a fly?’ like not literally a fly, then, yeah, I would not hurt a fly,\u201d explains Palmer. However, \u201cSometimes literal flies are pests and I might swat around. I try not to kill ’em, I swear to you I try not to kill ’em. The worst thing I’ve done is spray a little bit of Febreze on ’em to get ’em up out of there.\u201d A very kind and measured response to a difficult line of ethical questioning. Keke Palmer could solve the trolley problem in a breeze.<\/p>\n\n \n<\/aside>\nWhile participating in a cast-and-creator interview with Fandango, Palmer shares what Peele’s biggest impact was for her. \u201cJordan makes being a genius seem very attainable,\u201d she responds. \u201cI left the set like, ‘I’m writing my first script! I’m directing it!’\u201d Palmer delivers it like she’s telling a joke, which is nice enough, but we’re very serious when we say: Do it! Cinema needs you.<\/p>\n