{"id":49690,"date":"2022-06-14T03:16:08","date_gmt":"2022-06-14T03:16:08","guid":{"rendered":"https:\/\/harchi90.com\/ottessa-moshfeghs-lapvona-is-gloomy-folk-horror-set-long-ago\/"},"modified":"2022-06-14T03:16:08","modified_gmt":"2022-06-14T03:16:08","slug":"ottessa-moshfeghs-lapvona-is-gloomy-folk-horror-set-long-ago","status":"publish","type":"post","link":"https:\/\/harchi90.com\/ottessa-moshfeghs-lapvona-is-gloomy-folk-horror-set-long-ago\/","title":{"rendered":"Ottessa Moshfegh’s ‘Lapvona’ Is Gloomy Folk Horror Set Long Ago"},"content":{"rendered":"
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LAPVONA<\/strong> By Ottessa Moshfegh 304 pages. Penguin Press. $ 27.<\/p>\n
Ottessa Moshfegh has a glittering intellect and an unquenchable dark turn of mind. Only the latter is on display in \u201cLapvona,\u201d her fourth novel by her. It’s a pungent book but a flat one, narrow in its emotional range, a bleak, meandering and muddy-soled mix of fairy tale and folk horror.<\/p>\n
\u201cLapvona\u201d is set in a fictional medieval village in what seems to be Eastern Europe. The primary character is Marek, a uniquely homely and ill-favored young man. (He is only 13, but children grow up fast in Lapvona.) Marek has a twisted spine, a veiny and misshapen head and a bulbous nose; his lips of him resemble fish lips; his chin di lui is a \u201cstub\u201d and his wide and thin tongue a strip of cloth. His hair di lui is so red it’s “a joke color.”<\/p>\n
For his appearance he can thank his mother, Agata, who tried vigorously to abort him, stuffing toxic herbs between her legs, leaping from trees and tasking someone with trying to claw at the fetus.<\/p>\n<\/div>\n<\/div>\n
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Earlier, she was raped and had her tongue cut out. Jude, Marek’s apparent father, is a lamb-herder who kept Agata tied down and also raped her. She wisely runs away after childbirth; Marek is told she is dead.<\/p>\n<\/div>\n<\/div>\n
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Atrocities pile up. It’s easy to lose the thread. \u201cThe bandits came again on Easter,\u201d this novel begins. “This time they slaughtered two men, three women and two small children.” It’s especially easy for concentration to wander because no one is quite who they seem to be, and because little that occurs has much in the way of resonance. I’m peeking at my notes to write this because it all blurred in my mind.<\/p>\n
Jude, who like all Lapvonians is illiterate, beats Marek and throw shovels at him and knocks out his teeth. Marek enjoys these beatings; he believes they bring him closer to God. So does self-flagellation, which Jude and Marek ecstatically perform.<\/p>\n
Up on a hill, looking down at the poor Lapvonians, is Villiam, a cruel and imbecile lord who lives in a landed estate and visits wickedness on the populace to keep them in place. Through a plot contrivance, Marek comes to live with Villiam. He gets his own servant di lei, who uses her fingernail daily to scrape the white scum from the teeth he has left.<\/p>\n
The scum is a uniquely Moshfeghian detail. She is an American writer of Croatian and Iranian descent, born in 1981, who flies low over human bodies, like a pilot more enamored of strip mines than lakes, taking note of things like pus, acne, scarring and vomit.<\/p>\n<\/div>\n<\/div>\n
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She taps into what Stanley Elkin called “the range of the strange.” As in the Stevie Nicks-Tom Petty song, someone’s always about to make a meal of some bright-eyed kid.<\/p>\n