More:<\/strong>Andy Chaves of Tempe modern rock band Katastro was killed in California. He was 32.<\/p>\n‘He got people excited about jazz organ’<\/h2>\n As an organist, DeFrancesco topped the Critics Poll in DownBeat nine times and the DownBeat Readers Poll every year since 2005. <\/p>\n
In reporting the news of his death, NPR wrote, “Few jazz artists in any era have ever dominated the musical language and popular image of an instrument the way DeFrancesco did with the organ.”<\/p>\n
Kocour also plays the Hammond B3 organ. <\/p>\n
“When I first started playing the instrument in the early 1980s, no one was interested in presenting groups with jazz Hammond B3 players,” Kocour says.<\/p>\n\n
“The great jazz organists weren’t being recorded so frequently. Jazz organ was something a lot of people had forgotten about. Joey DeFrancesco changed that. He got people excited about jazz organ.”<\/p>\n
Kocour compares him favorably to Jimmy Smith, who popularized the Hammond B-3 organ in the ’60s, creating a link between the worlds of jazz and soul.<\/p>\n
“If Joey were alive today, he’d say Jimmy Smith is the reason why that tradition still exists,” Kocour says. <\/p>\n
“Joey DeFrancesco more than anybody else continued and extended the amazing innovative work of Jimmy Smith and all the great jazz organists.”<\/p>\n
‘I truly loved his musicality and his heart’<\/h2>\n DeFrancesco recorded an album with Smith, 2005’s “Legacy,” which launched Tempest Recording, the studio that sits behind Clarke Rigsby’s Tempe home.<\/p>\n
“We had a great relationship and went back 25, 30 years,” Rigsby says.<\/p>\n
“One of the things I loved about Joey is he would always bring in these great, iconic players. Pharoah Sanders, Billy Hart, Bobby Hutcherson, George Coleman. One time I said, ‘Why do you do that?’ He said, ‘I always think it’s good to go to the source.’ I truly loved his musicality and his heart.”<\/p>\n
Of all the musicians Rigsby has recorded through the years, he credits DeFrancesco with having “the most incredible ear” of anyone he’s ever worked with.<\/p>\n
“He could hear something once and sing it back to you,” Rigsby says.<\/p>\n
“When we were doing the Jimmy Smith record, Jimmy took a solo and Joey came up to sit with me and listen to it. And when Jimmy’s solo came up, Joey sang it note for note to me. I’m just looking at him , like ‘You gotta be kidding me.'” <\/p>\n
Kocour is a huge fan of DeFrancesco’s playing.<\/p>\n
“I can’t remember anybody who I love to hear more than Joey,” he says. “It was just so cool, so sophisticated yet so entertaining.”<\/p>\n\n
DeFrancesco was also responsible for the development of digital instruments that<\/p>\n
replicate that classic Hammond B3 sound, including the Viscount Legend Live Joey DeFrancesco Signature Organ.<\/p>\n
“That’s an amazing instrument that doesn’t weigh 400 pounds,” Kocour says. “That’s another way he made that jazz organ sound accessible for people, by helping to develop an instrument that was practical that professional musicians could use.”<\/p>\n
‘Another one of the greats is lost’<\/h2>\n Jay Valle is the US sales and marketing director for Viscount Legend and considered DeFrancesco both a close friend and a major talent. <\/p>\n
“I’ve known Joey for many, many years, since he was actually kind of a skinny kid,” he says.<\/p>\n
“And you could just see him blossom into today’s best jazz organist in the world. He didn’t just play a lot of notes. He played music from his heart and soul and everyone could feel his magic. Another one of the greats is lost “<\/p>\n
DeFrancesco dedicated himself to working with Viscount for the last five years of his life.<\/p>\n
“To be honest with you, the presence of our product right now is totally due to Joey’s performances that he did with the product,” Valle says. “It’s a family-run company. And Joey has become, you know, just a member of our family.”<\/p>\n\n<\/div>\n<\/aside>\n
He released more than 30 albums under his own name and recorded extensively as a sideman with such leading jazz performers as Davis, saxophonist Houston Person and guitarist John McLaughlin.<\/p>\n
On his latest album, “More Music,” DeFrancesco played organ, keyboard, piano, trumpet and, for the first time on record, tenor saxophone.<\/p>\n
‘This is a guy who was generous with his praise’<\/h2>\n DeFrancesco was also known for his support of other players. <\/p>\n
“If you were a musician and you met him and he heard you play, he always was curious about what you were doing, and always cared,” Kocour says. <\/p>\n\n
“This is a guy who was generous with his praise, his encouragement and always willing to share his knowledge.”<\/p>\n
As much as DeFrancesco toured, he was a common presence on the local jazz scene.<\/p>\n
“He knew everybody who was playing jazz in Phoenix and would always come out and hear them play or sit in,” Kocour says.<\/p>\n
“He wanted us to know that he was part of the Phoenix jazz scene, and that’s hard for a touring artist like him in terms of time and availability. But he was always checking in with the Phoenix jazz scene. We were very proud of that “<\/p>\n
Reach the reporter at ed.masley@arizonarepublic.com or 602-444-4495. Follow him on Twitter @EdMasley<\/a>.<\/em><\/p>\nSupport local journalism.<\/strong> Subscribe to azcentral.com today.<\/em><\/p>\n<\/div>\n