{"id":81895,"date":"2022-09-29T16:19:02","date_gmt":"2022-09-29T16:19:02","guid":{"rendered":"https:\/\/harchi90.com\/a-review-of-hocus-pocus-2\/"},"modified":"2022-09-29T16:19:02","modified_gmt":"2022-09-29T16:19:02","slug":"a-review-of-hocus-pocus-2","status":"publish","type":"post","link":"https:\/\/harchi90.com\/a-review-of-hocus-pocus-2\/","title":{"rendered":"A Review Of Hocus Pocus 2"},"content":{"rendered":"
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(from left): Kathy Najimy as Mary Sanderson, Bette Midler as Winifred Sanderson, and Sarah Jessica Parker as Sarah Sanderson in Hocus Pocus 2<\/em>.<\/figcaption>
photo: Disney+<\/figcaption><\/p>\n<\/div>\n

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The best thing that can probably be said about Hocus Pocus 2<\/em><\/span> <\/em>is that it could have been so much worse.<\/p>\n

Playing like a big-budget \u201cDisney Channel Original Movie\u201d for the millennial crowd but with a more character-driven narrative, <\/em>this overdue sequel to the 29-year-old original offers a surprisingly clever and, at times (blushes) heartfelt continuation of the Sanderson Sisters’ bewitching ways. Here, their latest resurrection by way of the Black Flame Candle forces them to cross paths with three teenage girls who have magical ties of their own. using Hocus Pocus<\/em> more like a modular foundation than sacrosanct canon, director Anne Fletcher (Netflix’s dumplin<\/em>‘) and screenwriter Jen D’Angelo find an inventive way of expanding upon the OG movie by reaching into the main characters’ past and softening the trio of witches’ more sinister edges as they once again wreak their unique, PG-brand of havoc on the town of Salem. <\/p>\n

Whereas the first Hocus Pocus<\/em> struggled to maintain narrative momentum thanks to its clunky structure and slightly above Dad Joke-level sense of humor, Hocus Pocus <\/em>2 (minus one shoulder shrug of a musical number) uses the franchise’s witchcraft and world-building to earnestly explore timely themes of identity and inclusivity, for a follow-up that fans may begrudgingly concede is better than the original.<\/p>\n