{"id":85908,"date":"2022-10-03T19:23:10","date_gmt":"2022-10-03T19:23:10","guid":{"rendered":"https:\/\/harchi90.com\/steve-lacys-bad-habit-hits-no-1-on-billboard-hot-100-billboard\/"},"modified":"2022-10-03T19:23:10","modified_gmt":"2022-10-03T19:23:10","slug":"steve-lacys-bad-habit-hits-no-1-on-billboard-hot-100-billboard","status":"publish","type":"post","link":"https:\/\/harchi90.com\/steve-lacys-bad-habit-hits-no-1-on-billboard-hot-100-billboard\/","title":{"rendered":"Steve Lacy’s ‘Bad Habit’ Hits No. 1 on Billboard Hot 100 \u2013 Billboard"},"content":{"rendered":"
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\tSteve Lacy’s \u201cBad Habit\u201d ascends to No. 1, after four weeks at No. 2, on the Billboard Hot 100 songs chart, as the genre-spanning single becomes his first leader on the list.<\/p>\n

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\tMeanwhile, two songs soar onto the Hot 100 in the top 10: Sam Smith and Kim Petras’ \u201cUnholy,\u201d at No. 3, and GloRilla and Cardi B’s \u201cTomorrow 2,\u201d at No. 9. Petras and GloRilla each appear in the Hot 100’s top 10 for the first time, while Smith scores their seventh top 10 and Cardi B earns her 11th.<\/p>\n

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\tThe Hot 100 blends all-genre US streaming (official audio and official video), radio airplay and sales data. All charts (dated Oct. 8, 2022) will update on Billboard.com tomorrow (Oct. 4). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.<\/p>\n

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\t\u201cBad Habit,\u201d released on LM\/RCA Records, is the 1,142nd No. 1 in the Hot 100’s 64-year history. Here’s a deeper look at its coronation.<\/p>\n

\n\tAirplay, Streams & Sales <\/strong><\/p>\n

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\t\u201cBad Habit\u201d tallied 40.3 million radio airplay audience impressions (up 8%), 20.4 million streams (up 4%) and 2,000 downloads sold (up 4%) in the Sept. 23-29 tracking week, according to Luminate.<\/p>\n

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\tThe single, which Lacy solely produced and co-wrote, slips to No. 2 after five nonconsecutive weeks atop the Streaming Songs chart; rises to a new No. 7 high, from No. 8, ten Radio Songs; and, despite its sales gain, dips to No. 38, from its No. 37 best, on Digital Song Sales.<\/p>\n

\n\tLacy’s First Leader<\/strong><\/p>\n

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\tLacy notches his first Hot 100 No. 1, with his first entry on the chart. The song is the third leader this year by acts in their first visit to the survey, following \u201cHeat Waves\u201d by Glass Animals (five weeks at No. 1, beginning in March) and \u201cWe Don’t Talk About Bruno\u201d by Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the Encanto<\/em> Cast (five weeks, starting in January). (In 2021, no acts led in their first appearances, although Olivia Rodrigo reigned with her first properly promoted single, \u201cDrivers License,\u201d while Silk Sonic led with its first release, \u201cLeave the Door Open,\u201d after members Bruno Mars and Anderson .Paak had each charted with solo songs.)<\/p>\n

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\tLacy is the first solo male to top the Hot 100 with a first charted title (in a lead role) since Jawsh 685, whose \u201cSavage Love (Laxed \u2013 Siren Beat),\u201d with Jason Derulo and BTS, led the list dated Oct. 17, 2020. Lacy is the first solo male to command the Hot 100 with a rookie entry and no accompanying acts since Lewis Capaldi with \u201cSomeone You Loved,\u201d which led for three weeks beginning in November 2019.<\/p>\n

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\tSince the debut of \u201cBad Habit\u201d on the July 16-dated Hot 100, Lacy has charted two more titles: \u201cStatic,\u201d which rises 82-78 for a new best on the current ranking, and \u201cDark Red,\u201d up 95 -79 in its second week.<\/p>\n

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\t\u201cBad Habit\u201d and \u201cStatic\u201d are from Lacy’s album Gemini Rights<\/em>, which debuted as his first top 10, at its No. 7 high, on the July 30-dated Billboard 200.<\/p>\n

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\tLacy’s Hot 100 triumph follows the 24-year-old Compton, Calif., native’s appearances as a recording artist on other billboard<\/em> charts, first as a member of The Internet and then via collaborations as a soloist alongside acts including Frank Ocean, Tyler, The Creator and Vampire Weekend.<\/p>\n

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\tLacy’s current North American tour runs through a hometown show at The Greek Theater in Los Angeles Nov. 11, to be followed by dates in Australia and Europe through December. He recently told billboard<\/em> of his greatest career success so far, \u201cI’m just grateful. It still doesn’t feel real yet.\u201d<\/p>\n

\n\tRCA Returns to No. one<\/strong><\/p>\n

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\tRCA Records rules the Hot 100 for the first time since Doja Cat’s \u201cSay So,\u201d featuring Nicki Minaj, topped the May 16, 2020-dated chart.<\/p>\n

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\tLacy is the first artist on RCA to lead the Hot 100 in a first visit to the chart since Mark Ronson, whose \u201cUptown Funk!,\u201d featuring Bruno Mars, dominated for 14 weeks starting in January 2015.<\/p>\n

\n\t100 to 1<\/strong><\/p>\n

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\tAs \u201cBad Habit\u201d debuted at No. 100 on the Hot 100, the track wraps a rare 100-to-1 journey.<\/p>\n

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\tHere’s a recap of all 12 singles that have topped the Hot 100 after they started at the bottom (with 2022 the first year with two such treks completed).<\/p>\n

\n\tHot 100 No. 1s That Debuted at No. one hundred:<\/span>
\u201cBad Habit,\u201d by Steve Lacy, hits No. 1 on the chart dated Oct. 8, 2022
\u201cHeat Waves,\u201d Glass Animals, March 12, 2022
\u201cSee You Again,\u201d Wiz Khalifa feat. Charlie Puth, April 25, 2015
\u201cBlack and Yellow,\u201d Wiz Khalifa, Feb. 19, 2011
\u201cKiss Kiss,\u201d Chris Brown feat. T-Pain, Nov. 10, 2007
\u201cCan’t Help Falling in Love,\u201d UB40, July 24, 1993
\u201cThe Night the Lights Went Out in Georgia,\u201d Vicki Lawrence, April 7, 1973
\u201cWhen a Man Loves a Woman,\u201d Percy Sledge, May 28, 1966
\u201cGo Away Little Girl,\u201d Steve Lawrence, Jan. 12, 1963
\u201cMichael,\u201d The Highwaymen, Sept. 4, 1961
\u201cTeen Angel,\u201d Mark Dinning, Feb. 8, 1960
\u201cKansas City,\u201d Wilbert Harrison, May 18, 1959<\/p>\n

\n\tU Got It, ‘Bad’<\/strong><\/p>\n

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\tLacy sends the 14th song to the top of the Hot 100 with the word \u201cbad\u201d in its title:<\/p>\n

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\t\u201cBad Habit,\u201d by Steve Lacy, hits No. 1 on the chart dated Oct. 8, 2022
\u201cBad Guy,\u201d Billie Eilish, Aug. 24, 2019
\u201cBad and Boujee,\u201d Migos feat. Lil Uzi Vert, Jan. 21, 2017
\u201cBad Blood,\u201d Taylor Swift feat. Kendrick Lamar, June 6, 2015
\u201cBad Day,\u201d Daniel Powter, April 8, 2006
\u201cU Got It Bad,\u201d Usher, Dec. 15, 2001
\u201cBad Medicine,\u201d Bon Jovi, Nov. 19, 1988
\u201cBad,\u201d Michael Jackson, Oct. 24, 1987
\u201cYou Give Love a Bad Name,\u201d Bon Jovi, Nov. 29, 1986
\u201cBad Girls,\u201d Donna Summer, July 14, 1979
\u201cBad Blood,\u201d Neil Sedaka, Oct. 11, 1975
\u201cBad, Bad Leroy Brown,\u201d Jim Croce, July 21, 1973
\u201cOne Bad Apple,\u201d The Osmonds, Feb. 13, 1971
\u201cBig Bad John,\u201d Jimmy Dean, Nov. 6, 1961<\/p>\n

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\tIt’s a good week not just for \u201cBad Habit\u201d but also Bad Bunny, whose Flour Verano Sin Ti<\/em> adds a 12th week at No. 1 on the Billboard 200 albums chart.<\/p>\n

\n\tRecord R&B\/Hip-Hop, Rock & Alternative No. one<\/strong><\/p>\n

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\t\u201cBad Habit\u201d concurrently crowns the multi-metric Hot Rock & Alternative Songs, Hot Rock Songs and Hot Alternative Songs charts for a sixth week each and the Hot R&B\/Hip-Hop Songs and Hot R&B Songs charts for a fifth frame each. It became the first song to rule all five rankings (dating to October 2012, when billboard<\/em>‘s main genre-based song charts adopted the Hot 100’s methodology).<\/p>\n

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\tHarry Styles \u201cAs It Was\u201d descends to No. 2 on the Hot 100, after 15 weeks at No. 1 \u2013 the fourth-longest reign in the chart’s history. The track tops Radio Songs for an eighth week (62.8 million in audience, down 1%) and drew 14 million streams (up 3%) and sold 3,000 (down 11%) in the tracking week.<\/p>\n

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\tNotably, \u201cAs It Was\u201d extends its record for the most weeks spent in the Hot 100’s top two positions, having logged 25 weeks of its 26 weeks total on the chart, in the top two, from its April 16 debut at No. 1 through the newest, Oct. 8-dated survey. The song also extends its mark for the most weeks, 26, tallied in the Hot 100’s top three in the chart’s history \u2013 and is the first single ever to spend its first 26 weeks, or half a year, on the list all in the top three.<\/p>\n

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\tSam Smith and Kim Petras unleash \u201cUnholy\u201d at No. 3 on the Hot 100. Released Sept. 22, the collab drew 23.2 million streams and 2.8 million in airplay audience and sold 12,000 in its first full week (ending Sept. 29), as it blasts in at No. 1 on both Streaming Songs and Digital Song Sales.<\/p>\n

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\tSmith and Petras began teasing the single in August, with it being used in over 450,000 clips on the platform to date. (Its official video premiered Friday, Sept. 30, with any resulting gains contributing to next week’s, Oct. 15-dated charts.)<\/p>\n

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\t\u201cUnholy\u201d arrives as Smith’s seventh Hot 100 top 10, following their featured turn on Disclosure’s \u201cLatch\u201d (No. 7 peak, 2014) and Smith’s own \u201cStay With Me\u201d (No. 2, 2014), \u201cI’m Not the Only One\u201d (No. 5, 2014), \u201cLay Me Down\u201d (No. 8, 2015), \u201cToo Good at Goodbyes\u201d (No. 4, 2017) and \u201cDancing With a Stranger\u201d (with Normani; No. . 7, 2019).<\/p>\n

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\tPetras achieves her first Hot 100 entry, after reaching various billboard<\/em> charts beginning in 2012. (Notably, she makes the highest debut with an act’s first Hot 100 hit since Zayn’s \u201cPillowtalk,\u201d his first charted single outside One Direction, premiered at No. 1 in February 2016. Before that, Baauer bowed on top with his first entry, the then-viral \u201cHarlem Shake,\u201d in March 2013.)<\/p>\n

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\t\u201cUnholy\u201d starts as Smith’s second No. 1 on Digital Song Sales, after \u201cToo Good at Goodbyes,\u201d and first on Streaming Songs. Petras tops each tally for the first time, with her first entry on each chart.<\/p>\n

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\tPost Malone’s \u201cI Like You (A Happier Song),\u201d featuring Doja Cat, dips to No. 4 from its No. 3 Hot 100 high; Nicky Youre and dazy’s \u201cSunroof\u201d descends to No. 5 from its No. 4 best; and Nicki Minaj’s \u201cSuper Freaky Girl\u201d backtracks 5-6, after it opened atop the Aug. 27 chart, as it leads the multi-metric Hot Rap Songs chart for a seventh week.<\/p>\n

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\tOneRepublic’s \u201cI Ain’t Worried\u201d holds at its No. 7 top rank on the Hot 100 and Morgan Wallen’s \u201cYou Proof\u201d retreats to No. 8 from its No. 6 highpoint, while leading the multi-metric Hot Country Songs chart for a seventh week.<\/p>\n

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\tGloRilla and Cardi B’s \u201cTomorrow 2\u201d bounds onto the Hot 100 at No. 9. It starts at No. 2 on Digital Song Sales (9,000) and No. 3 on Streaming Songs (19.7 million), and drew 3.5 million in radio reach, in the week ending Sept. 29, following the Sept. 23 arrival of its collaborative mix, after the song was originally released as \u201cTomorrow\u201d by GloRilla.<\/p>\n

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\tGloRilla (born Gloria Woods in Memphis, Tenn.) claims her first Hot 100 top 10, in her second trip to the chart, after \u201cFNF (Let’s Go),\u201d with Hitkidd, reached No. 42 in September. (\u201cFNF\u201d also topped the Mainstream R&B\/Hip-Hop Airplay chart in August.)<\/p>\n

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\tCardi B adds her 11th Hot 100 top 10 and first since her featured billing on Lizzo’s \u201cRumors,\u201d which debuted and peaked at No. 4 in August 2021. Before that, she boosted her No. 1 count to five with \u201cWAP,\u201d featuring Megan Thee Stallion (August 2020), and \u201cUp\u201d (March 2021).<\/p>\n

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\tRounding out the Hot 100’s top 10, Lizzo’s \u201cAbout Damn Time\u201d falls 9-10, after two weeks at No. 1 beginning in late July.<\/p>\n

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\tAgain, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Oct. 8), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Oct. 4) .Luminate, the independent data provider to the <\/em>billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. in partnership with <\/em>billboarddata deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.<\/em><\/p>\n<\/div>\n