{"id":95782,"date":"2022-10-13T10:47:59","date_gmt":"2022-10-13T10:47:59","guid":{"rendered":"https:\/\/harchi90.com\/halloween-ends-bloody-disgustings-boo-crew-podcast-interviews-jamie-lee-curtis-david-gordon-green\/"},"modified":"2022-10-13T10:47:59","modified_gmt":"2022-10-13T10:47:59","slug":"halloween-ends-bloody-disgustings-boo-crew-podcast-interviews-jamie-lee-curtis-david-gordon-green","status":"publish","type":"post","link":"https:\/\/harchi90.com\/halloween-ends-bloody-disgustings-boo-crew-podcast-interviews-jamie-lee-curtis-david-gordon-green\/","title":{"rendered":"‘Halloween Ends’ – Bloody Disgusting’s Boo Crew Podcast Interviews Jamie Lee Curtis & David Gordon Green!"},"content":{"rendered":"
Spoiler Warning: This article mentions setting and plot details.<\/em><\/strong><\/p>\n One unexpected element of Hulu’s <\/span>Hellraiser<\/em><\/strong>directed by <\/span>David Bruckner<\/span><\/strong> (<\/span>The Nighthouse<\/span><\/em>, <\/span>The Ritual<\/span><\/em>), is its distinct ’90s horror vibes.<\/span><\/p>\n That’s most felt in Hellraiser<\/em>‘s third act, where the Cenobites and remaining humans stand off in Roland Voight’s (<\/span>Goran Visnjic<\/span><\/strong>) intricate mansion that doubles as a puzzle box of its own.<\/span><\/p>\n When speaking with Bloody Disgusting about the movie, Bruckner confirmed the ’90s horror tone and explained the architectural elements.<\/span><\/p>\n \u201cWe definitely wanted there to be ’90s vibes<\/strong>,\u201d Bruckner verified. \u201cI didn’t know what it would mean to go back to something that I would define as the ’80s, necessarily, but a lot of that was in the way Ben [Lovett] and I approached the score. And just sometimes, the way the instrumentation would crawl across cuts and the commitment to bold themes.<\/strong> Not just the old Chris Young themes, but also some of the new ones that Ben used that will often go for something melodic and reflective of a character’s emotional state and indicative of what we’re looking at or what theme that the beat is on necessarily \u201d<\/span><\/p>\n